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1995 is the debut album by experimental jazz/jazz fusion group Screaming Headless Torsos.It was recorded in 1995 and released on June 13 the same year. On March 26, 2002, the album was re-released with two new tracks, Jimi Hendrix's 'Little Wing' and the Beatles 'Something. Steely Dan: Alive in America (1995) Roxy Music: Avalon (1982 – remastered 2007). Screaming Headless Torsos (1) smooth-jazz (4) soul (2) southern rock (1).
1995 | |||
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Studio album by | |||
Released | June 13, 1995 | ||
Recorded | 1995 at The Power Station, New York City, New York | ||
Genre | Jazz-funk, jazz fusion, jazz | ||
Label | Discovery WEA Fuzelicious Morsels (re-release) | ||
Producer | Screaming Headless Torsos, Bill Toles, Bob Brockmann | ||
Screaming Headless Torsos chronology | |||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
eMusic | [2] |
1995 is the debut album by experimental jazz/jazz fusion group Screaming Headless Torsos. It was recorded in 1995 and released on June 13 the same year. On March 26, 2002, the album was re-released with two new tracks, Jimi Hendrix's 'Little Wing' and the Beatles 'Something'.
All tracks written by David Fiuczynski, except where noted. Service manual free download.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | 'Vinnie' | 4:24 | |
2. | 'Free Man' | Fima Ephron | 4:27 |
3. | 'Cult of the Internal Sun' | 4:09 | |
4. | 'Little Wing' (Only included on the re-released version of the album) | Jimi Hendrix | 4:45 |
5. | 'Word to Herb' | Dean Bowman, Jojo Mayer | 4:23 |
6. | 'Blue in Green' | Miles Davis, Bill Evans | 5:14 |
7. | 'Chernobyl Firebirds' | 0:29 | |
8. | 'Graffiti Cemetery' | 7:13 | |
9. | 'Smile in a Wave' (Theme from the documentary film Jack Johnson) | Miles Davis | 3:52 |
10. | 'Wedding in Sarajevo' | Bowman, Mayer | 6:24 |
11. | 'Hope' | 4:22 | |
12. | 'Kermes Macabre' | 8:02 | |
13. | 'Another Sucka' | Ephron | 4:31 |
14. | 'Something' (Only included on the re-released version of the album) | George Harrison | 5:09 |
The reviews for the album were generally positive. Glenn Astarita from Allmusic recommended the album, writing that it was 'an early glimpse of one of the most powerful jazz-rock units to emerge in quite some time.'[1] Tony Green from the JazzTimes magazine wrote that 'the band's vocal-fronted, hard-charging amalgam of funk, rock and jazz should be more than a belly full for folks who haven't heard them before'.[3]